Lost Imaginations

Read. Write. Rest.

Helping Boys of Color Achieve Success

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This summer I was in charge of creating a program at my school that would help boys of color receive the supports they need to excel academically and be better prepared for the hardships they may encounter not only throughout their academic life, but social and personal life as well. I read books such as Rising Hope, The Deepest Well, Black Boy Smile, and The Psychology of Self-Esteem to create a curriculum that would build the self-esteem and integrity of the boys as we began the program over the course of the week and continued into throughout the year. Planning, creating, and being a part of this program was filled with stress. Not because I didn’t enjoy learning a new form of psychology, new information about ACEs, how to build restorative circles, or develop a better understanding of how to develop and nurture hope. Developing the curriculum and working with these young men meant addressing an issue that has been the root of much shame throughout my life; my blackness.
 
Growing up, I was never considered “black enough.” Often times when I spoke or was myself, I was accused of “acting white” by friends and family. Rather than play basketball or football, I ran cross country and auditioned for the school play. Even as an adult when seeking to get a job my blackness was a source of shame that caused me to be harassed and lose jobs as an educator. So, when my principal asked me to lead this program that addressed a part of myself I had been told by society to push away and hide, I felt like an imposter. I thought to myself, “Clearly she has the wrong person.”
 
Throughout the summer I read, planned, sent emails, wrote curriculum, and as the week of mentorship approached, I became more and more irritable. More and more anxious that either my blackness would be called into question in a way that would make others believe I was not qualified to help anyone know or understand the complexity, difficulty, fear, and courage it takes to be an educated man of color, or I would be told this program was too pro-black and needed to be shut down.
 
Although the summer program has come and gone, and from what I can tell from the mentors and the young men who attended, it was a success, I still feel like an imposter. It’s something I battle day-to-day as I attempt to balance and master two separate worlds, making me question whether I would have been a good father to my son, Cas, or a source of shame for him as well. While I have spent so much time exploring my childhood sexual abuse in my writing there are parts of myself I have been blind to address, because it fills me with fear. It’s these pieces of myself I hope to explore in my new book How to Forgive Your Inner Daredevil: A Guide for Survivors and Caregivers of Adverse Childhood Experiences Using Marvel Comic’s Daredevil.

A Moment of Gratitude at Artscape

This past weekend I attended Artscape in Baltimore, MD, bought a booth, and sold books and posters to passing customers either drowning in sweat from 99+ degree heat or the torrential downpour that occurred on Friday and Saturday. While there, a person wearing a mask, sporting baggy cargo pants, tank top, and cool skateboard stood off on the side and waited patiently for me to finish speaking to a good friend I hadn’t seen in over a year. After my friend Mike and I said our good-byes, they approached my table and said they wanted to thank me for writing Heroes, Villains, and Healing. They said the guide changed their life and helped them begin their journey of healing. They admitted that standing there, waiting to speak to me, they were nervous to meet me, but excited and happy that they were given the chance. They purchased a copy of How to Save Your Inner Wonder Woman, placed it in one of the many pockets of their cargo pants, gave me a hug, and disappeared in the crowd without another word.

I wanted to cry.


When beginning this journey of writing guides for survivors using superheroes, I was told (and am continually being told) by major publishers that there is no market for my material. Or, they applaud for me effort and my courage, but do not feel their company can take the risk of supporting materials that:

1) help male and female survivors,
2) uses superheroes to address unpacking complex topics such as cognitive behavior therapy, and
3) is written by a black male survivor. It’s a triple whammy of fear from multiple different angles they believe the only choice they have is to keep the topic and issue hidden in the shadows.

So, when someone comes to me and says:
1) they not only read one of my books, and
2) it helped them heal, I feel humbled beyond belief. I am filled with tremendous gratitude that someone found a use for what I have written and it has helped them heal.

It helps me continue to have the courage to know that I’m not crazy for continuing this journey. So, regardless of the perpetuated narrative, I was reminded that someone, somewhere was helped using the words and ideas I put to paper.

Thank you, Jaime.

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Hero vs Villain


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In “Power Like This,” Action Comics #1054 (2023), the villain, Metallo (John Corben) has kidnapped the Super Twins and threatens to kill them as revenge for losing the only family he has left; his sister, Tracey. However, this Metallo is different from the villain fans are used to reading in DC Comics. Instead, he is a supped up version of his former self, allowing him the ability to control inanimate metallic corpses.
            Upon arrival into Corben’s death den, Superman immediately notices a difference in not only Corben’s abilities, but also his behavior. Rather than enter the room swinging fists to save the War World refugees, Superman tells Metallo, “Something’s affecting your mind. Maybe even controlling you. Let the kids go. I’ll help y--.”
Witnessing Superman’s concern for his well-being rather than anger for the actions of the villain makes Corben more enraged. Metallo drops the twins from his grasp and yells, “This is your fault! You’re no hero! Nothing like us ever could be! No livin’ thing’s supposed to have power like this! Don’t you know that?! No matter that good-guy act you put on; how pretty your stupid face is; how many people cry for you to save’em; you’re just as much a monster as me!” Yes, this is a fictional story in a superhero comic book. However, the interaction between Superman and Corben is very representative of differences between the thinking of victims and survivors.
While both survivors and victims have been victimized, survivors seek healing, not only for themselves, but often for others as well. Victimization can cause feelings of shame and negative automatic thoughts that they are dirty, ugly, and incapable of being anything more than a villain because of what was done to them. These individuals can also suffer the cognitive distortion of “all-or-nothing thinking,” believing that all individuals who have been victimized in the same manner as themselves must also view themselves in the same way. These thoughts can make it nearly impossible for victims to believe that healing is possible for anyone who has been victimized. This view of themselves as victims can be seen in the fictional words of John Corben when he says, “Nothin like us ever could be,” a hero. Meaning no one like us can ever heal. No one like us, who has had our innocence stripped away can ever be anything more than a victim or a villain.
Unfortunately, perpetrators can also use the same language in an attempt to keep their victims under their influence of control. Perpetrators attempt to make those they have victimized into believing they are, “just as much a monster as me!” Healing, growth, and love are all off the table because as a perpetrator they may have also been victimized and never allowed the opportunity to heal. The words of perpetrators and the cognitive distortions of those have been victimized may appear at face value to be true, but they are not. Healing is possible and everyone deserves the chance to heal from their past trauma to become a survivor. Everyone. This does not mean refusing to hold individuals accountable for their pat actions. Instead, it means allowing everyone the opportunity to heal from their past trauma in an attempt to break the cycle of abuse and become better versions of themselves. This belief is what Superman embodies as a hero. Yes, Corben did something wrong by hurting others and deserves to be held accountable for what he has done, but everyone also deserves to make amends for what they have done.

Dear Susan: Mr. Moral

Hey Susan,
I’ve been meaning to write for a while, but these classes have been pretty draining. I drive by your office (at least where your office used to be) on Mondays and Tuesdays on my way to class. Each time I think about how I made the trek across the city once a week to sit in your office and try to feel better. To not hate myself. I still need some support and this seems like the best way to keep in contact with you, whether you’re here or not.
A lot has been going through my mind these last few months. Things I’ve wanted to talk about with you, but kept pushing it to the back burner. Hopefully, we get a chance to discuss all of them before the end of the year.
First, I’ve wanted to talk to you about Kendrick’s latest album, Mr. Morale & The Big Steppers. I know you’re probably wondering who Kendrick is (with yo old ass). Kendrick Lamar is a West Coast rapper. He’s probably not your style of music. You definitely seem to be more of a Fleetwood Mac sort of girl. Lol. Just messing with you.
Anyway, in this album, Kendrick talks about sexual abuse of males, breaking the cycle of abuse, and being viewed as a savior. He begins to address the sexual abuse of males and breaking the cycle of abuse in his song, “Mr. Morale.” He raps in the chorus:
 
Shit on my mind and it’s heavy
Tell you in pieces ‘cause it’s way too heavy
My diamonds, the choker it’s way too heavy
More life to give on demand, are you ready?
Who keep ‘em honest like us?
Who gotta heal ‘em all? Us (Us)
When there’s no one to call
 
I’ve often felt this sense of grandiosity that Kendrick is describing here. It seems he is saying, he’s begun the healing process and has gathered a lot of information about what is needed to break the cycle, but feels the pressure of feeling as though he has to save those around him; his loved ones, his culture, his race. It’s a heavy burden, but it’s one I can relate to. It’s the definition of man vs. society. It’s a heavy lift that can drive any person crazy, but he attempts to heal himself and give information to others the only way he knows how; through his music. I’m sure it still does not feel like enough for him, because as a teacher and other it doesn’t feel like enough for me. It’s like yelling at a mountain to move while the ocean continues to rise, drowning you one millimeter at a time. It can be maddening.
He goes on to state, “Tyler Perry, the face of a thousand rappers, using violence to cover what really happened, I know somebody’s listening.” Tyler Perry was sexually abuse and assaulted as a kid and he has often talked about it, but what’s interesting is that Kendrick is saying the music industry is filled with male survivors who don’t / can’t / won’t talk about their abuse. All of them covering up their trauma in culturally acceptable ways of what it means to be a “real” black man. This means hurt those who hurt you, have a lot of sex, and embody what it means to be a purely sexual object rather than an individual who has the ability to be an intellectual, father, and so much more than the box they have been forced into.
These stereotypes are what kept me from getting the help I needed for so long. I didn’t need therapy or medication because I was stronger than that. I didn’t need to talk about my depression because who would listen anyway? And why talk about the sexual abuse when I spent the majority of my time telling myself it didn’t happen. All the while I questioned when did I lose my virginity and whether or not I was going to hell for having my virginity taken. Other black male survivors have been made to believe that having their virginity taken by an older woman is what makes you man and good at it later on. All of it makes me see how impossible it is to change the idea of male sexual abuse, assault, and rape.
Anyway, there was more I wanted to say about another song, but we’ll have to save that for next time. I have to plan this lesson for my students. We’ll talk more later.
 
Kenny

Dear Susan (She-Hulk Episiode 4 Sexual Abuse)

Hey Susan,
            It’s been busy. Like, too busy, but not overwhelmingly busy. Actually, I take that back. Most definitely overwhelmingly busy, but that’s life, you know. If I don’t get it all done the world won’t end. I’ve seen when the world ends, multiple times, and the world still doesn’t end, you know. Even if the world ends the universe continues to expand. And if it all retracts into the Big Crunch, or it all comes to a screeching halt in the Big Freeze, then – well, who cares? Life will find a way.
            Anyway, have you been watching She-Hulk: Attorney at Law? I know you haven’t but it’s rude not to ask. I know you’re more of a Batman kind of girl. The reason I ask is because the fourth episode was really interesting. Well, Jennifer Walters, is trying to get a date. She creates an on-line dating profile and goes on one date with a guy who is completely narcistic. He looks at his phone she talks about her job as a lawyer, doesn’t acknowledge her when she states that she is She-Hulk, and makes her foot the bill. Finally, when she realizes she is not going to get any attention on her dating profile, she creates a profile as She-Hulk and suddenly is getting a lot of attention. The only problem is, all the guys she dates as She-Hulk are the same as the guy she went on a date with as Jennifer Walters. They are not as narcissistic, but they don’t care about having an honest conversation let alone an honest relationship. One wants to know how much she can bench press, another just wants to know about her powers. None of them want to get to know her, except one, Arthur.
            Arthur is a doctor who is attractive, attentive, kind, super buff, and honest. Everything she is looking for in a man. They hit it off so much they head back to Jen’s place to get more “comfortable.” While they are talking, Arthur accidentally spills some wine on his shirt, gets up to clean off the couch, and She-Hulk hides his shirt, making him continue the conversation in his tank-top. Unfortunately, she is called to go handle a demon problem with Wong (it’s better if you just watch the episode if you’re looking to understand the plot) and has to leave. When she returns, Arthur is reading a book about feminism on her couch. She drops down on top of him and without asking picks him up and carries him into the bedroom like a baby.
            The real kicker is when he wakes up the next morning, She-Hulk is gone. There is only Jen Walters, a person he has never met before that moment telling him that they had sex the previous night. She asks if he wants to stay and Arthur immediately leaves.
            What I found interesting about the episode is that Jenn treats Arthur the same way the narcissistic men treat her. She lies about who she is in order to get him into bed. She does not portray her true self, or let him know that she is also another person before having an intimate relationship with him. And when she reveals her true self after lying to get him into bed, he leaves and she is surprised and disappointed. I hesitate to say that this is an example of sexual abuse, but it’s damn near close. And it’s only Disney+! If this is the way sexual abuse is portrayed throughout society then we have a long way to go. And if we have this long of a way to go then what impact am I going to have on the conversation?
            Maybe this was intentional. Maybe the writers intentionally wanted to portray this scene in this way so that other would have this conversation. Maybe…right…. Maybe?